Claudio Edinger > About Claudio Edinger
Biography
Claudio Edinger was born in Rio de Janeiro in 1952 but raised in São Paulo. He began taking photographs in the early Seventies, while studying economics at Mackenzie University in São Paulo. In 1975 he had his first solo exhibition, at the São Paulo Museum of Art (MASP), with photographs of the Martinelli Building, a vertical slum in downtown São Paulo. The following year he moved to New York City, where he lived until 1996.
Over the course of 20 years spent in the United States, Edinger developed numerous personal photographic essays. He also worked as a freelance photographer for Brazilian and North American newspapers and magazines such as
Veja,
Time,
Newsweek,
Life,
Rolling Stone,
Vanity Fair, and
The New York Times Magazine, among many others. In 1977, he studied under legendary photographer Philippe Halsman (1906–1979).
After two years spent living among Hassidic Jews in Brooklyn, Edinger had his first U.S. solo exhibition, Hassidic Jews, at the International Center of Photography in New York (1978). During his time in New York City, Edinger published three books:
Chelsea Hotel (Abbeville Press, USA, 1983) and
Venice Beach (Abbeville Press, USA, 1985) (both of which received the Leica Medal of Excellence), and
The Making of Ironweed (Viking Press, USA, 1988). Edinger taught classes at Parson's School of Design/The New School (1979-1993), at the School of Visual Arts (1980-1982), and at the International Center of Photography (1992–1993).
In 1989 and 1990, Edinger photographed patients at the Juqueri Psychiatric Hospital in São Paulo, the largest insane asylum in Latin America. In order to better understand the depth of what occurs there, Edinger actually spent several weeks living among the patients housed there. The resulting work received the Ernst Haas Award and was published as
Madness (DBA, Brazil; and Dewi Lewis Publishing, UK, 1997).
From 1991 to 1996, Edinger photographed carnaval in Brazil's five different regions: Rio de Janeiro, Salvador, Recife/Olinda, São Paulo, and Paraty. The work was published as
Carnaval (DBA, Brazil; and Dewi Lewis Publishing, UK, 1996) and won the Higashikawa Prize for Foreign Photographer of The Year (Japan) in 1999.
Between 1994 and 1996, Edinger photographed the old part of Havana, Cuba and published the resulting work as
Old Havana (DBA, Brazil; DAP, USA; Dewi Lewis Publishing, UK; and Editions Stemmle, Switzerland, 1997), and named by American Photo as one of the best books of the year.
Claudio began working with a large format 4 x 5 camera and selective focus in 2000, and published
Rio (DBA, Brazil, 2003 – named one of the best books of the year by Photo District News), and
São Paulo: minha estranha cidade linda (DBA, Brazil and Umbrage Editions, USA, 2009), the latter from the same series of images as the exhibition
São Paulo Ambiguous at 1500 Gallery.
Claudio's work is present in the largest and most important private photography collections in Brazil, as well as in the collections of the following: AT&T Photo Collection, The International Center of Photography (Cornell Capa's private collection – Hassidic Jews), Museu Metronòm (Barcelona), Equity International Photo Collection, Higashikawa Collection (Japan), Visa Pour L'Image (France), São Paulo Museum of Art (MASP), São Paulo Museum of Contemporary Art (MAC-USP), São Paulo Museum of Modern Art (MAM-SP), Museum of Images and Sound (São Paulo, Brazil), Centro Cultural Banco do Brasil, (Brazil), Itaú Cultural (Brazil) and Curitiba Museum of Contemporary Art (Brazil).
Solo Exhibitions
| 2012 | De Bom Jesus a Milagres: o sertão da Bahia e a realidade inventada, Museu da Imagem e do Som, São Paulo, Brazil |
| 2010 | São Paulo Ambiguous, 1500 Gallery, New York, NY |
| 2009 | Paris, Espaço de Arte Trio, São Paulo, Brazil |
| São Paulo: minha estranha cidade linda, Arte 57 Gallery, São Paulo |
| 2008 | São Paulo, iContemporânea, São Paulo, Brazil |
| 2007 | Flesh and Spirit, Arte 57 Gallery, São Paulo, Brazil |
| Rio, iContemporânea, São Paulo, Brazil |
| 2005 | Madness, iContemporânea, São Paulo, Brazil |
| 2003 | Rio, Leica Gallery, São Paulo, Brazil |
| Rio, Leica Gallery, Madrid, Spain |
| 2001 | Cityscapes, Museu da Arte Modern, São Paulo, Brazil |
| 2000 | Portraits, Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil |
| 1999 | Portraits, Li Gallery, São Paulo, Brazil |
| Higashikawa Photography Festival, Japan |
| 1997 | Carnaval, Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil |
| 1996 | Carnaval, Museu Metropolitano de Curitiba, Curitiba, Brazil |
| Carnaval, Museum of Image and Sound, São Paulo, Brazil |
| 1995 | Havana Velha, , Galeria Fotóptica, São Paulo, Brazil |
| 1993 | Holy Land: India, Maine Photographic Workshop, Rockport, ME |
| 1992 | Madness, Galeria Cândido Mendes, Rio de Janeiro, Brazil |
| 1991 | Madness, Visa Pour L'Image, Perpignan, France |
| 1990 | Fundação Romulo Majorana, Belém, Brazil |
| India, Madness, Hasidic Jews, Drew University, Madison, NJ |
| Madness, Galeria Fotóptica, São Paulo, Brazil |
| 1988 | India, Galeria Fotóptica, São Paulo, Brazil |
| 1984 | Venice Beach, Arco Gallery, São Paulo, Brazil |
| 1980 | Hasidic Jews, The New School/Parson's School of Design, New York, NY |
| 1978 | Hasidic Jews, International Center of Photography, New York, NY |
| 1975 | Martinelli Building, Museu de Arte de São Paulo, São Paulo, Brazil |
Group Exhibitions| 2012 | The Brazilian Lens, 1500 Gallery at Jumeirah Essex House, New York, NY |
| 2012 | Eloge du vertige, Maison Européene de la Photographie, Paris, France |
| 2010 | SP Arte/Foto, São Paulo, Brazil |
| 2009 | SP Arte/Foto, São Paulo, Brazil |
| 2006 | SP Arte/Foto, São Paulo, Brazil |
| 1995 | Fotografia Brasileira Contemporânea, Centro Cultural Banco do Brasil, Rio de Janeiro Brazil |
| 1991 | Museu de Arte de São Paulo, São Paulo, Brazil |
| 1985 | Museu de Arte Contemporânea, São Paulo, Brazils |
| 1983 | Centre Georges Pompidou, Paris, France |
| The Photographers Gallery, London, United Kingdom |
| 1976 | Museu de Arte de São Paulo São Paulo, Brazil |
Collections
AT&T Photo Collection, USA
Banco Itaú, Brazil
Centro Cultural Banco do Brasil, Brazil
Coleção Pirelli / MASP de Fotografia, Sao Paulo Museum of Art (MASP), São Paulo, Brazil
Curitiba Museum of Contemporary Art, Curitiba, Brazil
Equity International Photo Collection, USA
Higashikawa Collection, Japan
International Center of Photography, New York, NY
Itaú Cultural, São Paulo, Brazil
Museu Metronòm, Barcelona, Spain
Museum of Images and Sound, São Paulo, Brazil
São Paulo Museum of Modern Art (MAM-SP), São Paulo, Brazil
São Paulo Museum of Contemporary Art (MAC-USP), São Paulo, Brazil
Visa Pour L'Image, Perpignan, France
Published Books
| 2009 | Um Swami no Rio (novel), Annablume Editora (Brazil) |
| São Paulo: minha estranha cidade linda, DBA (Brazil) and Umbrage Editions (USA) |
| 2006 | Flesh and Spirit, DBA (Brazil) |
| 2003 | Rio, DBA (Brazil) |
| 2001 | Cityscapes, DBA (Brazil) |
| 2000 | Vitoria, ABooks (USA) |
| 1999 | Portraits, DBA (Brazil) |
| 1998 | São Paulo Under Construction. ABooks (USA) |
| 1997 | Madness, DBA (Brazil), DAP (USA), Dewi Lewis Publishing (UK) |
| Old Havana, DBA (Brazil), DAP (USA), Dewi Lewis Publishing (UK), Editions Stemmle (Switzerland) |
| 1996 | Carnaval, DBA (Brazil), Dewi Lewis Publishing (UK), DAP (USA) |
| 1987 | The Making of Ironweed, Viking Press (USA) |
| 1985 | Venice Beach, Abbeville Press (USA) |
| 1983 | Chelsea Hotel, Abbeville Press (USA) |
Awards
| 2010 | Prêmio Porto Seguro, O Sertão da Bahia |
| 2009 | Best Photographic Book by Clix Magazine for São Paulo: minha estranha cidade linda |
| 2007 | Prêmio Porto Seguro, São Paulo |
| 2006 | PDN Photo Annual, One of the year's best books for Rio |
| 2003 | PDN Photo Annual, One of the year's best personal projects for Rio |
| 1999 | Best Foreign Photographer for Carnaval, Higashikawa Award, Japan |
| 1997 | Japan Foundation Scholarship, Hong Kong Project |
| One of the year's best books by American Photo for Old Havana |
| 1996 | Pictures of the Year: Best Photo in a Magazine by Newsweek |
| 1993 | Vitae Foundation Scholarship, Brazilian Carnaval |
| 1990 | Ernst Haas Award for Madness |
| 1989 | Life Magazine Award for Madness |
| Finalist of W. Eugene Smith Grant |
| 1985 | Leica Medal of Excellence for Venice Beach |
| 1983 | Leica Medal of Excellence for Chelsea Hotel |
Teaching and Lecturing
| 2010 | Paraty em Foco Workshop, Paraty, Brazil |
| 2009 | Paraty em Foco Workshop, Paraty, Brazil |
| 2008 | Paraty em Foco Workshop, Paraty, Brazil |
| 2007 | Paraty em Foco Workshop, Paraty, Brazil |
| 2001 | Senac Photography College lecture, São Paulo, Brazil |
| 2000 | Senac Photography College lecture, São Paulo, Brazil |
| 1999 | O Globo workshop, Rio de Janeiro, Brazil |
| 1998 | Editora Abril workshop, São Paulo, Brazil |
| Centro Maria de Andrade workshop, São Paulo, Brazil |
| 1997 | International Center of Photography lecture, New York, NY |
| 1995 | Barnstorm, The Eddie Adams Workshop, Hackensack, NJ |
| Maine Photographic Workshop, Rockport, ME |
| 1993 | Maine Photographic Workshop, Rockport, ME |
| 92-93 | International Center of Photography, New York, NY |
| 1990 | Drew University lecture, Madison, NJ |
| 1988 | São Paulo Museum of Art (MASP), São Paulo, Brazil |
| 80-82 | School of Visual Arts, New York, NY |
| 79-93 | Teacher at Parson's School of Design/The New School, New York, NY |
Editorial Credits
Art News, American Photo, Business Week, Bons Fluidos, Boston Globe, Bravo, Claudia, Conde Nast Traveler, Details, Elle, Epoca, Estado de São Paulo, Folha de São Paulo, Forbes, Fortune, Fotosite, Fotografe Melhor, Isto É, Life, Los Angeles Times, Marie Claire, Money, Newsweek, The New York Times Magazine, Photo France, Photo Italy, Photo District News, Paris Match, People, Playboy, República, Rolling Stone, Self, The Smithsonian, Sports Illustrated, Stern, Time, Town & Country, Travel & Leisure, USA Today, US, US News, Valor, Vanity Fair, Veja, Washington Post
Claudio Edinger > About Claudio Edinger